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Eames lounge chair and ottoman (1956)

The first Eames lounge chair and ottoman was made as a gift for Billy Wilder, the director of “Some Like It Hot,” “Irma La Douce,” and “Sunset Blvd.”

The heritage of the chair goes back to the moulded plywood chairs pioneered by the Eames in the 1940s.  Charles Eames said his goal for the chair was the warm, receptive look of a well-used first baseman mitt and a special refuge from the strains of modern living.

The first lounge chair and ottoman produced by Herman Miller, in 1956, made its public debut on Arlene Francis Home show, a predecessor of the Today show. Commenting on the unique design, Charles Eames told Francis, “We have never designed for a fashion, and the Herman Miller furniture company has never, ever requested that we do pieces for a market.”

The lounge chair and ottoman have been in production ever since and the rights are still owned in the US by Herman Miller and today in Europe, the Middle East and Africa by Vitra

Eames Lounge Chair and Ottoman

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Sitting Pretty: ACME “Eames Chairs” Rollerball

For Christmas, I received a gift certificate to our local Scandinavian Design store. Despite that fact that the store is packed with a ton of cool stuff, there was no doubt that I was going to put it towards one of the capped ACME rollerball pens— but which one? Even before I stopped at the store, I was mulling over a few options— Nancy Wolff “Dogs” and “Cats,” Lurinda Spear “Quote,” and Ayse Birsel “Write.” Since I had a kitty that was quite ill at the time, I was sort of leaning towards the cat pen. Oh, the mental energy and steam I put into pen decisions! If it could be harnessed, I am sure I could power a small office building.

Once in the store, though, the choice became even harder. Karim Rashid “Orange” spoke to me, and I kind of fell in love with the old-school typewriter key graphic on Michael Doret “Qwerty.”

But then I saw the “Eames Chairs.” Hmmmmm. More pondering.

Eames Lounge Chair

The Eames Lounge Chair and ottoman, officially titled Eames Lounge (670) and Ottoman (671), were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company. It was the first chair the Eames designed for a high-end market. These furnishings are made of molded plywood and leather. Examples of these furnishings are part of the permanent collection of New York Museum of Modern Art.

In addition to the style, the Eames Lounge Chair is very comfortable, a combination not always found in high design. The chair has become iconic with Modern style design although when it was first made Ray Eames remarked in a letter to Charles that the chair looked “comfortable and un-designy”.

Both the chair and ottoman are hand-assembled with great attention paid to the details. Shells are 7-ply veneers. Cushions are individually upholstered and replaceable; back cushions are interchangeable. The back braces and bases—of both the chair and ottoman—are die-cast aluminum. The chair base has a built-in swivel mechanism. Shock mounts are resilient natural rubber. Stainless steel glides are adjustable.  The new MCL Leather provides much of the softness and “sink-into-it-iveness” of the original, along with durability and color-fastness. The oiled finishes, while requiring periodic maintenance, produce the rich, lustrous look of the original veneers.

The Benefits of the Eames Lounge Chair

February 15, 2012

Since then an Herman Miller home furnishings company, with exactly who the Eames did the trick closely, has recently been producing the chair.

Although this is certainly an attractive bit, the designers essential aim was to create a chair that is as comfortable as they can by making it resemble the heat, familiarity and comfort on the well worn baseball mitt. (Charles Eames.)

The chair design

This is constructed from rich wooden veneers (it is worth noting of the fact that veneer grain might differ in each chair), rubber or metal distress mounts, and thick cushions that will be upholstered in soft Italian leather. The combination of these different elements produces a recliner that integrates a classic luxurious feel which has a modern appearance together with style. The chair pivots and is particularly at a permanently reclined angle, which helps to distribute body weight towards the rear of the chair.

Differences regarding the original chairs plus the modern reproductions

Veneers: modern reproductions with this products glue a greater quantity of thinner and more fit layers of hardwood veneer, shaped by simply heat and pressure. There were not as many veneer layers (made from rosewood and plywood) within original chairs.

Plastic spacers: a reproduced Eames styling chair will use several materials for the spacers just like metal, plastic or even rubber, whereas the main chairs used silicone spacers only.

Kardiel Eames Style Plywood Lounge Chair & Ottoman, Black Semi-Aniline/Palisander

The Eames lounge chair and ottoman was introduced by Charles and Ray (Kaiser) Eames in 1956. A numeric name was assigned to the piece, that being the 670 for the lounge and the 671 for the ottoman. The lounge chair set enjoyed its first wide scale public appearance that same year on the TV set of the Arlene Francis Home Show that later became known as the “Today Show” that is in broadcast to this day. There have been numerous TV and movie appearances for the chair since. It appeared in Chandler and Joey apartment in the first airing of Friends. The Eames Chair Ottoman in 2010 appeared in Iron Man in Tony Starks apartment. In 2011 the chair was seen in the white aniline leather on the Hampton based TV show Royal Pains and the 2011 big screen hit Tron. The Eames Lounge Chair appeals to

Kardiel Eames Style Plywood Lounge Chair & Ottoman, Black Semi-Aniline/Palisander

Features For Kardiel Eames Style Plywood Lounge Chair & Ottoman, Black Semi-Aniline/Palisander

100% Genuine Leather piping and buttons

Chair and Ottoman feature the original “Herman Miller Style” 5 star base and back supports; Black Aluminum Cast base and back braces with high polished bright aluminum trim; Built in Swivel mechanism with threaded glides for long lasting level seating; 15 degree perma-tilt base; Adjustable stainless steel guides with protector foot-caps.

6 inches thick urethane foam CA-117 compliant cushions; Individually upholstered and replaceable cushions; True to the original, thinner profile dense cushion arm rests; True to the original Rubber Shock Mounts connect the head and back rest allowing for flex.

Wooden shell features 7 ply of cross grain engineered wood; Shell is Kiln dry stabilized to prevent warping or cracking; 4 coats of no wax UV cured scratch resistant polyurethane finish on the wooden shell.

Chair Dimensions: height 34.6 inches at the highest point x depth 33.1 inches x width 35.4 inches; Ottoman Dimensions: height 16.5 inches x depth 21.7 inches x width 26.8 inches; Some assembly required.